I worked with the Virtual Production team at DNEG and Dimension Studio . Also collaborated with the team of Alex McDowell and Andrew Leung on the environment built of the film.

A key focus of this project was the film's interrogation room. While it was a clean, dark, and dimly lit interior, optimizing this minimalist space in Unreal Engine for virtual production was deceptively difficult, often more challenging than a highly complex environment. The necessity for hyper-realistic materials, combined with the nuances of lighting and troubleshooting Lumen noise in a low-light setting, made this an exceptionally rewarding learning experience.